Documentaries - and how to do them.
Trip Start
Apr 05, 2009
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Trip End
Apr 21, 2009
Well, if you're following this blog you'll know that I'm heading to Cambodia to volunteer at Savong's School which I support (www.savong.com) but also to sheet a documentary: calling on my old script editing and writing background from a long time ago. I worked 8 years in television and since regarded those years as something of a waste - but there you go: no experience in life need actually be wasted. (Must remember to recycle my old jokes.)
I've been going to see docos in a documentary film festival this week, and we've seen the good and the bad - an excellent one in China last night - and I'm starting to re-formulate my rules for a good documentary.
- Try and show a narrative arc - a problem that gets resolved/a dream that gets squashed/a beginning that finds an end/a river that reaches the ocean.
- Don't be afraid of silence. Let the details in the pictures tell their own story.
- Talk to people. Saw a very weak doco this week that seemed to look at a foreign country through a pane of glass - it never conversed with locals. Let's hear their voice.
- Assemble facts fairly and let these put a case. Never ever tell the viewer how to interpret those facts. Don't be polemic.
Tonight I talk to Sigi the cameraman about the documentary and what we'll shoot. A week ago this was all very abstract, but now I'm visualising what the documentary will look like and feel like. I'm dreaming about it.
I've been going to see docos in a documentary film festival this week, and we've seen the good and the bad - an excellent one in China last night - and I'm starting to re-formulate my rules for a good documentary.
- Try and show a narrative arc - a problem that gets resolved/a dream that gets squashed/a beginning that finds an end/a river that reaches the ocean.
- Don't be afraid of silence. Let the details in the pictures tell their own story.
- Talk to people. Saw a very weak doco this week that seemed to look at a foreign country through a pane of glass - it never conversed with locals. Let's hear their voice.
- Assemble facts fairly and let these put a case. Never ever tell the viewer how to interpret those facts. Don't be polemic.
Tonight I talk to Sigi the cameraman about the documentary and what we'll shoot. A week ago this was all very abstract, but now I'm visualising what the documentary will look like and feel like. I'm dreaming about it.

